The Gary International Black Film Festival (GIBFF) began in 2011 as a challenge, and today, it stands as a testament to the power of community and storytelling.
Founder Karen Toering recalls the festival’s unlikely start. “It’s kind of like a dare,” she says. “It was kind of like a challenge to ourselves to see if we could actually do it.” The dare turned into reality, and despite some significant obstacles, the first festival took place. That year, a snowstorm of “almost biblical proportion” hit the area, and Toering’s father passed away just two weeks before the festival. But the show went on in a reflection of the spirit that defines GIBFF.
“The streets got plowed, and the people showed up,” Toering remembers, emphasizing the resilience and determination that has kept the festival alive. “We should do this again,” she recalls thinking after that inaugural event. The festival formally incorporated as a nonprofit the following Monday and has been a fixture in Gary ever since.
Though she now lives in Seattle, Toering still considers Gary her home, and many who no longer reside there share her deep connection to the city. “There are a lot of people that don’t live in Gary that love Gary,” she notes. “You don’t have to live here to love it. You ain’t gotta live there to appreciate it. You ain’t gotta live there for it to be part of your identity.”
Karen Toering (Photo Credit: garyblackfilmfest.org)
A Commitment to Youth and Emerging Filmmakers
One of the GIBFF’s central goals is to engage and inspire young people. “Sometimes you gotta see it to be it,” Toering explains. Filmmakers visiting local schools during the festival show students that a film career is possible, especially when they see someone who looks like them.
To further support emerging filmmakers, the festival runs the Real Rundown Fellowship, a six-week program designed to give aspiring filmmakers a crash course in the industry. “Hollywood is not playing, and they don’t have time for you to figure out how to make a press kit,” Toering says, summarizing the tough love provided by professionals in the program. At the end of the intensive, participants premiere their short films at the festival, giving them a valuable platform to showcase their work.
Memorable Moments and Notable Names
The festival has hosted many prominent figures over the years, including Robert Townsend and Bill Duke. But one of the standout memories for Toering is the first festival, where an emerging filmmaker named Ava DuVernay made an appearance. “We brought in an unknown filmmaker… Ava DuVernay, and she had a great time,” Toering recalls. “There’s always a soft spot in her heart for that festival.” DuVernay’s career has since skyrocketed, but that connection remains a proud moment for GIBFF.
Every year, the festival creates memorable moments that could never have been predicted. From Robert Townsend casually answering audience questions to filmmakers connecting and collaborating on future projects, the festival offers a uniquely intimate experience. “We built the container for these moments to happen, and they do,” says Toering, reflecting on the special energy the festival generates.
Looking Forward: GIBFF 2024 and Beyond
This year’s 14th annual festival offers a special treat for attendees: an exclusive screening of Luther: Never Too Much, a documentary about Luther Vandross. The film, directed by Dawn Porter, hasn’t been released in theaters or on streaming platforms yet, making this a rare opportunity. “Sony took a chance on us,” Toering says, proud that the film will be screened in Gary before Chicago or anywhere else. “If you’re only going to go to one thing, come to that Saturday night Luther screening,” she advises. “You’re going to be the first person to see it, and you’ll see it before it gets to the streaming services.”
Looking ahead, Toering has ambitious plans for GIBFF, including opening an art house theater in Gary. “Gary’s got to say yes,” she notes, referring to the political leaders and residents who would need to support such a venture. But she’s encouraged by the current administration’s efforts toward downtown redevelopment and hopes that GIBFF can be part of Gary’s cultural and economic future.
As for what sets the Gary International Black Film Festival apart from its larger neighbor in Chicago, Toering says the two are distinct experiences. “Gary is more of a hometown, handcrafted, smaller, more relational film festival,” she explains. While Chicago’s festival is more industry-focused, Gary’s offers something uniquely personal. “It belongs to Gary.”
As the GIBFF continues to grow and evolve, its mission remains to bring filmmakers and audiences together in a shared experience. For Toering, the festival is about more than just films—it’s about community, identity, and celebrating the stories that reflect who we are. “We all get in a dark room and watch a film together and then chop it up after,” she says. “That is really the basis for this film festival.”