When Luiz Pinto was growing up, his parents wouldn’t let the family talk about slavery. The issue raised ugly memories.
Pinto’s grandmother was born into slavery. She threw herself into a river before Pinto was born, taking her own life after the son of a wealthy, white landowner raped her. The subjects of slavery and racism became taboo in the Pinto household, a sprawling set of orange brick homes perched on a hilltop where Rio de Janeiro’s famed statue of Christ the Redeemer is visible in the distance through the trees.
“I only knew her from photographs,” says Pinto, a 72-year-old samba musician.
These days, Brazil’s legacy of slavery takes up much of Pinto’s time…Read More HERE.